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PROCLAMATION 73 | DURBAN ART GALLERY

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 The exhibition Proclamation 73 comes forth out of a project initiated by Zara Julius and Chandra Frank that explores the family archives of people racialized as coloured and indian in Durban under the 1950 Group Areas Act. Inspired by their own family histories, Julius and Frank set out to collect family photos of everyday lived experiences. Proclamation 73 portrays narratives on the meaning of loss, kinship and home through drawing on the family album. The presented collection includes photos of weddings, beach days, ballroom dance contests, street portraits, and other snapshots.

Fragments of interviews by: Kate Drane, Desiree Francis, Ivan Francis, Arlene Glover, Bruce Manique, Jeeva Ragjopaul

Joyce Williams and Anthony Solomons in Grey Street,Durban 1975.  (Photo courtesy: Lorin Sookool)

Joyce Williams and Anthony Solomons in Grey Street,Durban 1975.
(Photo courtesy: Lorin Sookool)

Esther Moyce, who used to work on farms in St Helena, and her daughter Dulcie Moyce. Durban Beach. 1924. (Photo Courtesy: Chrystal Rosenberg)



Esther Moyce, who used to work on farms in St Helena, and her daughter Dulcie Moyce. Durban Beach. 1924. (Photo Courtesy: Chrystal Rosenberg)

The exhibition, displaying over 120 images, investigates and challenges how different racial histories and segregation continue to operate within the city of Durban and its surroundings. Through weaving representations of “the everyday” together with photos of the aftermath of forced removals, Proclamation 73 seeks to disrupt static racial categories, especially taking into account how categories such as ‘coloured’ and ‘indian’ were used as tools of anti- blackness. The exhibition takes its title from the Proclamation 73, issued in 1951, in which indians were further categorised as a subdivision of people racialised as coloured. This further complicates the arbitrary nature of racial classification under the apartheid regime.

Kanala preparing to leave Durban. Image taken near the Durban Morning Market. Acorn rd. 1990. Photograph © Rafs Mayet

Kanala preparing to leave Durban. Image taken near the Durban Morning Market. Acorn rd. 1990. Photograph © Rafs Mayet

Proclamation 73 covers a large time period, and takes a non-linear approach to the fragmented narratives and histories that emerge out of this project - working with archives that are rarely viewed alongside each other. Through portraying a wide variety of images, archival materials, and selected work from the collection of Afrapix documentary photographers Peter McKenzie and Rafs Mayet, this exhibition invites viewers to think through questions of representation, erasure, and intimacy.

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Contributors:
Bronwyn Anderson, Greta Apelgren, Youlendree Appasamy, Jenny Catin, Kate Drane, Jordache Elappen, Desiree Henneberry Francis, Rose Francis, John Emmanuel Frank, Arlene Glover, Bruce & Leanne Manique, Rafs Mayet, Peter Mckenzie, Maevis & Tim Moonsamy, Juggie Pather, Elodie Pottier, Chrystal Rosenberg, Lorin Sookool

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All included images are donated by Durban community members or are part of existing archival collections. Proclamation 73 has set up collaborative partnerships with the Old Court House Museum and Art for Humanity DUT in order to realise this exhibition. Proclamation 73 is a not- for-profit project in partnership with the Goethe-Institut South Africa as part of the Goethe-Institut Project Space (GPS).

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